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Cinema of Portugal
At
the end of the roaring twenties, the "young Turks" begin the regency of
the cinema estates, with the return of Leitão de Barros and the
emergence of young António Lopes Ribeiro (who would soon launch Manoel
de Oliveira), Jorge Brum do Canto, Chianca de Garcia and Arthur Duarte.
Their
agenda is to move away from the previous productions, taking
inspiration in the esthetic designs of the French, German and Russian
cinemas. The casts also support this disruptive move, bringing to the
screen the stars of the Revista, by contrast to the spoken theatre.
Stars such as Eduardo Brazão, Brunilde Júdice, António Pinheiro or Pato
Moniz fade, and a new school begins with the presence of Vasco Santana,
António Silva, Maria Matos, Ribeirinho or Maria Olguim.
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